Hacer pan, como follar / petra óleum, 2017

 

Installation (variable dimensions) and performance (every 45 minutes during 7 hours)
at “Zoinks!” SAC, Barcelona, SP.

 

petra óleum, 2017 / installation view Zoinks! SAC / petroleum jelly, latex, clay, ceramic / variable dimensions

 

Hacer pan, como follar, 2017 / documentation of performance at Zoinks! SAC / photo: Matteo Guidi – Jose Begega

 

Last stop >>> Zoink! Fer pa, com follar, una perfomance cantada en voz baja de @ariadnaguiteras #graftool #grafnet #grafagenda #santandreucontemporani #premimiquelcasablancas16

Una publicación compartida de GRAF (@grafagenda) el 1 de Abr de 2017 a la(s) 1:09 PDT

 

petra óleum (detail), 2017 / installation view Zoinks! SAC / petroleum jelly, latex / variable dimensions

 

Amor, olvidé decir antes que
mi corazón se parece más
a un tatuaje de Black Flag
imprudente pero revelador➀ que m’alimento de l’estrat

del subsòl, del fil de l’os, de l’ammonita –la memòria.
que sóc l’humà, el vestigi i el servidor que bull.

que sóc l’aliment i el carburant, el pedal i la banya
del bou, la pantalla i l’estrop.

 

➀ Laura Jaramillo – Reactionary Poems

 

petra óleum, 2017 / installation view Zoinks! SAC / petroleum jelly, latex, clay, ceramic / variable dimensions / photo: Eva Fabregas (right top)
Jose Begega (bottom)

 

Hacer pan, como follar, 2017 / documentation of performance at Zoinks! SAC / Jose Begega

 

Hacer pan, como follar, 2017 / documentation of performance at Zoinks! SAC / Jose Begega

 

You hear someone whispering near you. The uvula is the muscular support of a performance sung in a hushed voice that Ariadna Guiteras will prolong throughout the day. You might find her hidden behind a corner or circulating around the building. The song that she sings is potentially neverending and amasses personal experiences, poems and fragments of theoretical texts about the history of bread, sex and petroleum.
 
Making bread, like fucking
 
Unctuous materials derived from fossils are accumulated in the kitchen on the ground floor. It could be the preparations for a sacrificial ritual or perhaps the remains of an orgy. Clay, latex and petroleum jelly shape a volcanic landscape of sorts, the culmination of a performative act presented by Ariadna Guiteras in a deferred way; through its material traces.
 
petra óleum
 
– Text by Sabel Gavaldón

 

petra óleum (details), 2017 / installation view Zoinks! SAC / petroleum jelly, latex, clay, ceramic / variable dimensions / photo: Eva Fàbregas

 

petra óleum (detail), 2017 / installation view Zoinks! SAC / petroleum jelly, latex / variable dimensions

 

petra óleum (detail), 2017 / installation view Zoinks! SAC / petroleum jelly, latex, clay / variable dimensions

 

Hacer pan, como follar, 2017 / documentation of performance at Zoinks! SAC / photo: Jose Begega

 

 

→ Performance script (CAT, SP, ENG) ☝
→ Video documentation: https://www.periscope.tv/ariadnaguiteras/